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One can become involved in a subject to the point of no return. In a found-footage work using images from Amalia, the first Argentine fiction film...
Amalia
Using re-appropriated foreign archival footage, a poem takes shape like the waves of a sea, engaging in dialogue with the dead and the living. A...
To All the Shadows of our Tide
Vísperas de la memoria
The second installment in the Border Journals series.
Border Journals: Notes from a failed expedition
An exhibition made by Julio Le Parc at the Di Tella Institute in 1967.
Le Parc: Lo real y lo posible